How New Moon Movie Differs from Book

***SPOILERS AHEAD***

Jen Yamato wrote at Fearnet the 20 difference between New Moon Movie 7 Book. Here they are with a few side notes from "can't-keep-quiet-Mandy".

More shirtless boys

We all hoped to get a glimpse of Edward's alabaster chest in Volterra, but who knew we'd get to see so much hot werewolf skin? Thankfully, the Wolf Pack run such high temperatures and explode away their clothes so frequently that cut-off jeans and no shirt are their shared ensemble of choice.

[Mandy's Note - indeed the abs-o-plenty kept me very entertained and it seemed my temperature was a tad high also observing all that flesh ;) heheheh]

We get more fights, including an awesome Volturi throw down.

New Moon the book is infamous for its slow pacing, thanks to Bella's crippling depression (see below). So it's a good thing that the film throws in fistfights, wolf skirmishes, and chase scenes to liven things up a bit more. Our favorite: watching Volturi guard Felix put the smack down on our precious Edward, a scene crafted for the film.

[Mandy's Note - I really liked the wolf-wrestling also... ]

Instead of talking to herself, Bella sends emails to Alice.

New Moon, like all of the Twilight books, makes frequent use of Bella's internal voice-overs to tell us what's going on in that angsty head of hers. In New Moon, Bella writes emails to her lost BFF, Alice, to work through her issues. We still get the voice-overs, but they're cleverly disguised as Bella's messages to Alice, and therefore much less "Vampire Diaries." (Also, creating a movie email address for Alice was a clever way to sneak in product placement for Apple's MobileMe email application.)

[Mandy's Note - I liked emails too, depressed, internal voice talking to herself Bella is way crepier and annoying than depressed internal voice emailing Alice Bella ;) ]

Bella's (a little) less mopey than she is in the books.

Much of the book is devoted to Bella's heartbreaking, months-long break-up depression, so it's a good thing that the film condenses her lost period a bit for the sake of storytelling. Critics complain already that Bella spends so much time staring into space, pining over Edward; if only they knew how much more we/she suffer in the books! Thankfully, Rosenberg's script snaps Bella out of her funk and moves on, sort of, in a relatively short span of time.

[Mandy's Note - Yes, I felt it was too short almost, I liked the seasons changing, that lost look, a few too many screaming nightmares, and the couch curled in a ball scene... book was way more, but I think they did just enough to please book fans and clueless critics ;) ha ]

Bella's months-long depression, in the blink of an eye.

Fans were wondering how Chris Weitz would treat the infamous "lost" months of Bella's depression, which are depicted by blank pages in the book. After all, October, November, December, and January fly by as voids of nothingness to the girl. Weitz and Rosenberg's solution? A clever scene where Bella sits listless in front of her window as the camera moves around her to show the changing seasons outside. The trick captures her melancholia and is perfectly punctuated by Lykke Li's haunting, wistful track, "Possibility."

[Mandy's Note - Yes, I knew this was how they were doing it, because I talked to so many people working on the film and went to sets so much... even still, it was nice to watch it unfold and I really enjoyed it]

Edward doesn't hide Bella's photos.

In the book, when Edward decides to break up with Bella and leave town, he also sneaks into her room and hides her photos of him so that she'll have no reminders at all that he existed – a complete and total abandonment. (Can you imagine a world without pictures of RPattz? It would be horrible, indeed.) In the film, we see him in her room, but there's no messing with photographs, which would have been an unnecessary minor plot point anyway. Plus, those folks who think Edward's a little stalker-like might have been even more creeped out by him rifling through her stuff. Instead, we get the full impact of Edward's absence in Bella's misery.

[Mandy's Note - He does take the photo of him and Bella out of the book and take it. That's enough to get the point across without rifling through and lifting floorboards etc.]

Jacob gives Bella a dream catcher.

One new scene in the film has Jacob giving Bella a dream catcher for her birthday, killing two birds with one stone in the process: giving her a present when Edward feels he cannot and putting the mack on her with a big bear hug right in front of Edward. Bella hangs the dream catcher above her pillow, but unfortunately for her, it doesn't help keep the nightmares away.

[Mandy's Note - again I knew this was coming but I loved it, I also loved Edward's face when he half-jokingly/half-really asks why Jacob can give her gifts but he can't - it was perfectly spoken and shown by Robert Pattinson the way I envisioned it in the book... and Dream Catcher was the perfect gift to show some Quileute Native Art and also address the nightmares she has later etc.]

Bella goes for a bike ride at One Eyed Pete's.

Bella's attempt to put herself out there by going to Port Angeles with Jessica takes a dangerous (and hilarious) turn when she accepts a ride with a burly, beefy biker in order to hang on to her visions of Edward. In the book, she stops short of hopping on the chopper, but in the film she takes a full-on joyride with a stranger. How boring would it have been if she'd just turned around and walked back to safety?

[Mandy's Note - I knew this was coming because we had been on set that night and seen it and thought it was a nice difference from the book and more visually entertaining for a movie]

More snarky Anna Kendrick

Besides giving Bella her very first brush with danger, the biker scene serves another purpose: letting Anna Kendrick shine. As Jessica, Kendrick once again steals every scene she's in, and Bella's foolish biker episode gives her some of her very best frenemy lines of dialogue. Bonus: Kendrick's blissfully ignorant snark attack on zombie movies.

[Mandy's Note - I found Jessica annoying in Twilight, but that was her role, and she played it well. I just love her character overall it's the queen snarky bitch every highschool has]

Two words: Face Punch

In addition to the zombie genre, New Moon has a little something to say about stupid action flicks. One of the best additions to the script involves Bella, Mike Newton, Jacob, and a popular (fake) blockbuster movie entitled Face Punch. (Tagline: "Let's DO this!")

[Mandy's Note - I remember people asking Chris Weitz if we'd get to see some clips of this mock movie-sadly no ]

Visions of RPattz dance in Bella's head.

While Bella's hallucinations of Edward in the books are purely auditory, there's no way that would fly in the film. So Weitz injects plenty of pretty Rob Pattinson shots throughout the entire duration of Edward's absence, scrumptious visions that come and go like wisps of smoke. And really, there's tons of RPattz bookmarking New Moon, so we don't miss him all that much. (What am I saying? There's always room for more RPattz!)

[Mandy's Note - I worried it would be too much Edward, I know, we all want more Rob, but we needed to "mourn" him adequately in order to make the reuniting powerful... luckily there was lot's of him in the movie and it was still powerful enough a reuniting at the end.]

Victoria is definitely in the water.

When Bella is drowning after cliff-diving in New Moon, we clearly see Victoria swimming toward her in the water right before Jacob pulls her out of the water – something that was hinted at, but kept ambiguous, in the books. We like it better this way, as it makes Bella's danger more present and, let's be real, gives Rachelle Lefevre a little more to do, considering that she has exactly zero lines in the whole movie.

[Mandy's Note - In the book Victoria is only seen as a flash of red firey hair in the water. in the movie she is clearly in the water coming for Bella, but she is seen much more which I was excited for, but in reality, she was not in it much. She was in Vancouver filming the whole time, and I am not certain but I think she had lines filmed - were the edited out or purposely cut after the firing? hmmm... it's all so sketchy - but I will adjust to the new Victoria more because of Rachelle's lessened role in New Moon - sadly!]

Bella hits Paul in the face

In a film packed with phasing wolves and marble-cracking vampire fights, it's nice to see Bella get a little action. Angry that they've brainwashed her beloved Jacob, Bella confronts the Wolf Pack, shoves Sam Uley, and smacks Paul right in the kisser! Sure, it seems a little out of character, but at least in this moment, Bella is an agent of action and not merely reacting to the people around her. Plus, it leads into Paul's transformation and Jacob's mid-air phase, and the huge revelation of the Quileute secret.

[Mandy's Note - loved this whole scene from her walking past Billy to sleeping Jake, to confronting the wolf-pack, to punching, to the humour, then Jake "rescuing" to the wolf wrestle then going to Emily's - - - everything was perfect about it all]

Carlisle's Volturi painting comes to life.

Instead of waiting ‘til the end to meet the Volturi, we get an early peek at them when Carlisle's painting comes to life as Edward explains their history to Bella. Thank goodness! It would be such a waste to have even less of Aro & Co. in New Moon than the brief sequence we already get.

[Mandy's Note- this was very Harry Potter-esque to me with moving photos... but I loved it, fantastic way to showcase who and what the Volturi are all about]

Victoria attacks Harry Clearwater.

While tracking the Wolf Pack – and slyly covering their footprints – Harry Clearwater suffers a fatal heart attack in the woods. But in the film, we see that Harry's heart attack comes from the shock of being attacked by Victoria, who is seen stalking Charlie's hunting party from up in the trees. The change here allows plot points to converge, as the ensuing wolf pursuit of Victoria runs parallel to Bella's fateful cliff-jump into the ocean. And again, it gives Rachelle Lefevre something to do.

[Mandy's Note - I liked this as it brought the plot together nicely]

New Moon has way more funnies.

Credit Rosenberg for injecting more sly humor into New Moon, which was especially necessary in this installment. Supporting humans like Jessica, Mike, and Charlie add levity to their scenes with the somber Bella, while more subtle winks, like the comparison of werewolfiness to a "lifestyle choice" and Bella's transatlantic ride aboard a Virgin Atlantic airplane, display a self-aware sense of humor.

[Mandy's Note - I loved the close-up's of the HUMANS during Romeo & Juliet at school - ha ha!]

Jacob and Bella almost kiss. Twice

New Moon is Jacob's movie, so Rosenberg rewards him with not one, but two almost-kisses. If you look closely, their lips ACTUALLY TOUCH the second time!

[Mandy's Note - I KNOW!!!!!!!!! OMG!!!!!!!!!]

Jacob and Edward face off in the woods – just not when you expect.

If you've read New Moon, you're already expecting the tense "treaty" discussion between Jacob and Edward. Rosenberg wisely juggles the timeline a bit, placing it before the key conclusion (see #19), and adds one last phase for the furious Jacob. (It's the closest Bella's two men come to blows in New Moon.)

[Mandy's Note - I love this part not only because of the SPECIAL ending, but also because it was a set I went to the day of filming, one of my first sets, and the first time I saw Robert Pattinson (luckily not the last)]

Edward proposes

Rosenberg saves the best for last, leaving Bella (and us) with the biggest possible cliffhanger. Again, the re-jiggered placement of the scene works better cinematically, and leads into the next film, Eclipse!

[Mandy's Note I suspected this and was thrilled]

Alice's vision.

When Aro "sees" Alice's vision of the future, he lets her, Edward, and Bella go with the knowledge that sometime soon, Bella will become a vampire. As a special treat, the film shows us Alice's vision of Edward and Bella running through the woods (alas, in giggle-worthy outfits and slow motion). But after the snickers die down, think about exactly what you are seeing and you'll realize that it's essentially a preview of sorts… of something with the initials B and D!

[Mandy's Note - the giggling in the theatre both times I went to the movie were plantiful, so much that many missed the fact that Kristen Stewart as Bella was indeed a vampire, sparkling and pale-faced with golden eyes... I noticed, but the 2nd time some of my friends who missed it noticed (after I warned them to watch and stiffle giggles.... deffo a BD preview - amazing!]

That said, there are a couple of changes that don't work so well. Jacob's mood swing in the theater and subsequent threat of physical violence to poor Mike Newton seems incredibly out of character. Later in the film when the phone rings in Bella's kitchen, Jacob definitely knows it's Edward on the phone (as opposed to thinking it's Carlisle as in the book), which makes him more of a jerk.

[Mandy's Note- ya I think the temper could have worked but it was too abrupt and out of character... though it did showcase clearly he was "changing"]

Did you notice other differences between The Twilight Saga: New Moon and Stephenie Meyer's book?

[Mandy's Note - Overall I think the changes were well done and with good reason.... is it June 30th yet?]